他提倡“骨法”，主张以笔画的结构为准确的标准。他的书法作品精致而有气度，被后人誉为千古绝艳之作。他在书法上的成就对后世影响深远，被尊称为“书圣”。王羲之一生孜孜不倦地钻研书法，他致力于传承古代书法文化，培育了很多学生。他的传世作品《兰亭集序》被誉为古代书法的巅峰之作，被广泛传颂与学习。王羲之晚年依然不停地写字，直到临终前依然不弃笔。
原文：
王羲之字令之，吴兴人也。少秀而壮，明达而有心机，爱好书画，笔灵诡异，少时尝与王粲比画，粲曾称羲之画胜己。
羲之为人刚直，行事有法度，与人交往重义气，深得士人之爱戴。曾任太尉谘议参军，后入为丞相府记室参军，官至司徒右长史，后被贬为庶人。一生多感忧国忧民之情，曾通过书法抨击氐贺光，劝诫人民不要跟从他，也曾通过书法表达对群臣的忠心与忧虑。
羲之饱学深思，对于古代文字的研究造诣极高，尤其擅长书法。他提倡“骨法”，主张以笔画的结构为准确的标准。他的书法作品精致而有气度，被后人誉为千古绝艳之作。他在书法上的成就对后世影响深远，被尊称为“书圣”。
王羲之一生孜孜不倦地钻研书法，他致力于传承古代书法文化，培育了很多学生。他的传世作品《兰亭集序》被誉为古代书法的巅峰之作，被广泛传颂与学习。他不仅是一位卓越的书法家，也是一位深受后人敬仰的教育家和文化大家。
王羲之晚年依然不停地写字，直到临终前依然不弃笔。他对于书法的热爱与追求，使他的作品在后世流传至今，成为中华文化宝贵的遗产。
翻译：
Wang Xizhi, also known by his courtesy name Lìngzhī, was a native of Wuxing. He was talented and robust since his youth, and had a sharp mind. He had a great interest in calligraphy and painting, and his brushwork was unpredictable and unique. In his early years, he had competed in painting with Wang Can, and Can even admitted that Xizhi's paintings surpassed his own.
Xizhi was straightforward and followed a disciplined approach in his actions. He valued loyalty in his interactions with others, and was deeply respected by scholars. He previously served as the advisor and military officer of the Grand Commandant, and later became the military officer of the Prime Minister's Office. He eventually rose to the position of the Chief Priest of the Minister of Education, but was later demoted to a commoner. Throughout his life, Xizhi often expressed his concern for the state and the people through his calligraphy. He once used calligraphy to criticize Di He Guang and advised the people not to follow him, and also expressed his loyalty to and anxieties for his courtiers through calligraphy.
Xizhi was well-versed in various fields of study and deeply contemplated them. He had a profound knowledge of ancient characters, especially excelling in calligraphy. He advocated for "structural methods" and emphasized the accurate representation of the structure of strokes. His calligraphy works were delicate and graceful, earning high praise from later generations as outstanding masterpieces. His achievements in calligraphy had a profound impact on later generations, and he became known as the "Sage of Calligraphy."
Throughout his life, Wang Xizhi tirelessly pursued the study of calligraphy. He dedicated himself to passing down the ancient calligraphic culture and nurtured many students. His masterpiece, "Preface to the Orchid Pavilion Collection," is hailed as the pinnacle of ancient calligraphy and widely studied and revered. He was not only an exceptional calligrapher but also a highly respected educator and cultural figure.
Even in his old age, Wang Xizhi continued to write, never abandoning his brush until his last moments. His passion and pursuit of calligraphy allowed his works to be preserved and admired by future generations, becoming a precious heritage of Chinese culture.